Trip down memory lane
Do kids walk to school anymore? I started walking to school when I was 5, not by myself initially, my mother walked me, probably with
Justine
Like the back of my hand
I’ve been experimenting with some textile work, in particular embroidery. And doing a little research into the history of samplers and found this gem of
Garden Log – film 1
When I was in London I would take a photo a day to document my time there, a visual journal of sorts. This was before
State of Flux – What have I been up to?
How COVID has affected the studio and new directions the work is taking.
Satisfaction Frustration
What motivates us is the fight between being satisfied and frustrated. This might explain why we get out of bed or why we stay there for days on end.
Now more than ever motivations are considered sinister, and action without motivation, unviable. Satisfaction Frustration reasons with how we behave in the crossfire between too much and not enough.
Spinning in My Mother’s Garden
Is female subjectivity possible within a patriarchal system? The following discussion investigates feminist thought though equality, difference and androgyny, mapping the achievements, setbacks, advantages and disadvantages of each through the theories of Luce Irigaray, Jacques Derrida, Julia Kristeva and others.
Residency Deferred :(
Due to COVID 19 I have decided to defer the residency at NARS Foundation to 2022. Very sad about this however fingers crossed this COVID
where our bodies hit the world
‘where our bodies hit the world’ is an attempt to conform to a standard and being found lacking. A performance evolved to control our bodies which only undermine the regulation. Resulting in performative photographic and video work around trauma, rage and resilience.
do you love me?
New Zealand based artist Justine Walker uses repetition, performance and lived experience to research longing, loss, acceptance and family. Her latest video work ‘do you love me?’ is a longing for acceptance. A woman plays into the miscommunication of love by sending semaphore signals in mirror image. The red & yellow Oscar flags, used to signal at sea, increase the distance as she repeatedly asks passers-by, ‘do you love me?’, not knowing if the question is noticed, heard or understood.
do you love me?
‘do you love me?’ is a video work of a woman using a child size pair of semaphore flags to repeatedly signal ‘do you love me’. However, the woman is signalling in mirror image, a common mistake when first learning semaphore, playing further into the miscommunication around love. The flags are red & yellow Oscar flags used to signal at sea, increasing the miscommunication and distance between performer and viewer.